MYSTERY GAMES
Phil Campbell talks Nancy Drew Dossier
Tue, 05/26/2009 - 12:35pm — Matt Barton
Boy, do I have a scoop for you! One of the best interviews we conducted at GDC was with Phil Campbell, creative consultant and the genius behind Lights, Camera, Action!, the first “casual” Nancy Drew adventure game. I played through this game recently and was very impressed. What Phil has managed to do here is make a full-length Nancy Drew adventure game without any of the tedium associated with the genre—this one is pure fun, all the way through. I think Phil is one of the best brains out there when it comes to game design, so I got in touch with him and sent him some questions. He was kind enough to respond with some really incredible stuff. What follows is an illustrated essay he wrote about his work that gives you a behind-the-scenes-look at one of the best adventure games in recent years. Enjoy!
Kick-starting the design process
Back in May 2007, Megan Gaiser, the President of Her Interactive, called me with a view to coming up with a design strategy to launch Nancy Drew on a number of new platforms – including the casual games arena and the Nintendo DS.
Megan and I worked closely together to breakdown the elements of a successful Nancy Drew PC game and see how we could translate that success to different formats. Our main priority was to take the things that the Nancy Drew fans loved about the ‘full-size’ PC adventures and to translate them into a unique new form of casual game that was easy to play but was full of rich story, characters and mystery!
By building from the core expertise of the Her Interactive team – definitely the world experts in the ways of Nancy Drew! – we knew that we could come up with something that was new – dare to play Nancy Drew in a new way! What we didn’t want to do was end up with an unsatisfying cut-down version of a full-blown PC adventure, nor did we want to make something as simple as a basic ‘I-Spy’ game – for us, the clues and the mystery had to be story and character driven, and more importantly the puzzles and gameplay had to make sense within the context of the adventure and be tangible and consistent with the setting.
Megan had put together the core of a great team for ‘casual’, with Mari leading production, Tim and Ayu defining the art style and Mike developing the design. As we started to work together to discover what this game was all about, we slowly learned what was feasible and what was POSSIBLE for a casual game like this. I of course learned more slowly than most and kept delivering mounds of information – enough for 3 or 4 games! Luckily the team were pragmatic and practical about what we could achieve, and the quality of “Nancy Drew Dossier: Lights, Camera, Curses!” is all down to them. I felt proud that I had helped to kick-start the process and end up with such a successful (and beautiful!) game.
Over the course of the project I used all sorts of techniques to explore and develop design ideas based on the criteria we had set for ourselves.
Inspired by other ‘casual’ games like Azada and Dream Chronicles, we started with panoramic views broken up into sketches, creating ‘realistic’ gameplay that worked spatially within the scene. We wrote breakdowns of the story and characters, and developed long ‘adventure’ trails of interlocking puzzles – but something was missing that really would make the game playable…
The year before, I had been working on a Sherlock Holmes game with another industry ‘vet’, Vinnie Carrella and we had come up with a complicated ‘pairs’ game that involved swirling, moving playfields and paired clues linked to suspects and locations. We called it Phrenology in honor of the classic ‘Pairs’ games… It was too complex and we could never quite get it streamlined…
…Mike Paganini from the HI team really put it all together, it was like a revelation to see how he took the ‘Pairs’ motif and really made it work for the type of gameplay we were looking for…
Concept Art
This is the first concept I drew for panoramic ‘action’ screens with parallax depth. The idea was that this translated into the nine ‘screens’ you see above, layered on top of each other. Ayu from the art team stitched together my sketches and color-coded the parallax layers.
As you can see from this we were originally going to do something a little more ‘Shadow Ranch’…
With the help of the HI marketing department, we were able to come up with a number of stories that would fit the game demographic, and the idea of using a movie set emerged a clear favorite.
I ended up discovering a great real-life story and based the original pitch for the movie-lot game on the ‘buried set of Cecil B DeMille’. The Egyptian theme took hold and the involvement of Nancy Drew in “Lights, Camera, Curses!” began to evolve…
The first scene in the game we started to look at was the ‘film Noir’ setting. Living in San Francisco, I was inspired by the local setting for The Maltese Falcon, and we started writing in elements of hard-boiled detective stories, Bogie and the ‘Noir’ experience, and of course creepy Victorian mansions!
Here you can see a panoramic scene that didn’t make the game – notice that the two establishing elements are the famous Diner painted by Edward Hopper and a pastiche of the famous bar in Casablanca…
The second drawing was one of my first scribbled attempts on my new tablet PC! I found this a quick and efficient way of launching concepts, and here you can see the very first attempt at the Noir statue scene…
The whole goal of these key panoramic scenes was to really immerse the player in the ‘world’ of the game, and the parallax gave us just enough of a 3D feel without pushing us out of the casual genre. The player was not looking for a string of random objects but rather a connected series of clues that built up a great mystery story…
While I kept doing these fast sketch designs, the REAL artists were working away on beautifully rendered scenes and cinematic moments for the game…
Working quickly on the tablet, I was able to sketch out fast ideas for the ‘Noir’ scene design, starting for a rough version of the panoramic scene you now see in the game (with Bogie Statue). Other areas can then be looked at in detail to discover gameplay ideas…
It was a great pleasure for me to work with this talented team, and my ten-year-old daughter Charlotte gave the finished game her seal of approval!
Moving on, we took a similar approach to developing a new franchise on the Nintendo DS, and we are just putting the final touches on a brand new mystery game we hope will launch soon!
